Audio Trimmer
Drag the handles, hear it, keep what you want.
or paste one from your clipboard
How to use it
- Drop your audio file onto the page, or click to browse for it. Nothing is uploaded. The file is read directly by your browser.
- Drag the two handles on the waveform to select the part you want to keep. You can also type exact timecodes below the waveform.
- Press play to hear just the selection, and adjust until it sounds right. Loop it if you want to check the boundaries.
- Choose whether to keep the selection or cut it out, pick an output format, and click Download.
Cutting audio without uploading it
Every other free audio cutter works the same way: you hand your file to a server, it does the work, and you download the result. That means waiting through two transfers, trusting someone else with a recording that might be a private voice note or unreleased music, and usually hitting a size cap that exists to keep their bandwidth bill down.
None of that is necessary. Browsers have had a complete audio engine built in for over a decade. The same one that powers web games and video calls. This tool decodes your file with it, draws the waveform from the actual samples, and writes the trimmed result back out. Your file is read from disk into the tab's memory and never travels anywhere. You can verify that by opening your browser's network tab while you use it, or by disconnecting from the internet entirely: the page keeps working.
Choosing where to cut
Cuts sound cleanest at a zero crossing, a point where the waveform passes through the centre line. Cutting mid-wave leaves an abrupt jump in the signal, which your ear hears as a click. If you hear one at either end of your cut, turn on Fade the edges: a 20-millisecond fade is far too short to be audible as a fade, but it is more than long enough to eliminate the click.
For speech, leave a little air on each side rather than cutting tight against the first and last word. Around 100 milliseconds of room tone before someone starts speaking sounds natural; a hard cut straight into a consonant sounds abrupt, even when the edit itself is technically clean.
Keeping the quality you started with
MP3 is a lossy format, so decoding and re-encoding one loses a small amount of quality. A generation loss, like photocopying a photocopy. One pass at 192 kbps or higher is inaudible to almost everyone, and a single trim is one pass. It only becomes a real problem if you run the same file through many lossy edits in sequence.
If you plan to keep editing, export as WAV or FLAC between steps. Both are lossless, so you can trim, normalize, add fades and convert without compounding any loss, then encode to MP3 once at the very end. WAV is instant here; FLAC is about half the size for identical quality.